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Ma Long's technique |
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Jolan
Gold Member Joined: 01/14/2005 Location: France Status: Offline Points: 1299 |
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I am very much surprised about what the author tries to present his findings as facts. He thinks ML BH from mid to far distance is "relatively weak" and by that explains why he turns over his BH to play his strong FH. Well, isn't what they ALL do ? They are tought to play that way and ML makes no exception. My opinion is quite at the opposite. I find Ma Long BH to be exceptionnally good, close, mid and far distance. All top chineses have a strong and powerfull FH, excellent footwork, extensive training. So how come Ma Long is N°1 ? I think it is because of his superior BH skills. I remember seeing him as world junior N°1. His FH had nothing exceptionnal compared to his team mates. It wasn't as powerful as it is now. Still he was ahead.
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APW46
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hclnnkhg
Beginner Joined: 09/20/2010 Status: Offline Points: 67 |
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I agree with you because WLQ backhand is what we call 'relatively weak' to forehand Ma Long's forehand isn't THAT exceptional. |
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hclnnkhg
Beginner Joined: 09/20/2010 Status: Offline Points: 67 |
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Attacking half-long balls at wide forehand
(Yellow box) Looping half-long balls is a difficult technique, it is difficult because precise determination of the coming ball is required as well as a correct motion. We hesitate when we are determining whether the coming ball is short or half-long. It is hard to do the loop even it feels like attackable. So amateur player pushes half-long balls much more frequently. But when the level of play improves, it is hard to stop your opponent's attack by controlling. Therefore better players will play half-long balls more aggressively, with various technique. Even if the ball is actually short, they can adjust quickly. Phsychologically, players tends to think pushing half-long ball on backhand is reasonable; if it is on forehand, players would attack if the ball is rather high, but they would push the ball as well; But they are determined to attack if the ball is going wide on forehand side. Below we analysed Ma Long's motion to find some of his techniques about dealing half-long balls at wide forehand. (Caption in picture 5) When moving, right foot steps a little bit inwards (Caption in picture 6) Right shoulder goes downwards, arm relaxs and opens (Caption in picture 7) Hit the ball above the table level (Caption in picture 8) Hit upward and forward (White box) (Red text) Stay close to the table, reduce your swing (Black text) Moving into the position is the first thing when returning ball at wide forehand. But in a match we hit the ball without really into position mostly, because we will be slower than we expected when we move. We should try to get ourselves close to the right position. When we are moving to wide forehand, our foot should exert a force rather parallel to the floor. We shall not push the floor too much, as it will make us 'jump' in the air, and we will not move sideway enough. When moving to forehand side, right foot should step forward a little bit, makes the body stays close to the table. In picture 4-6, Ma Long's backswing motion was small, only his right shoulder went downwards, his arm was relaxed, so he could find the best contact point. If his swing was too big, or his body was away from the table, he could only hit the ball when it was dropping, which is too late for looping. Also, if the ball is short, even we want to push it, we won't have enough time to adjust. Here I want to explain that we can attack short ball as well as long ball. What we need to do is hit the ball at its peak. Therefore it is important to stay close to the table when moving. (Red text) Hit the ball just after its peak, more brushing, focus on hitting the ball forward (Black text) It is difficult to hit a ball at wide forehand at its peak, we usually hit it just after its peak. In picture 6-7, Ma Long swinged a little bit earlier to try to catch the ball at its peak. Most TT-lovers are used to wait until the ball goes over the table, therefore they can only hit the ball when it is dropping close to the edge of the table. As the power of the coming ball is weak, they have to generate their own power, plus they need to open the bat and brush upwards to produce an arc, they will miss a lot; Even the ball lands, it is a weak ball that opponents can easily counter-attack. When Ma Long looped, his timing was earlier than normal, such that he could hit the ball just after its peak, using the power of the coming ball. In picture 8, Ma Long brushed hard up-forward with all his power, at the same time his snap his forearm. There is little movement in waist when looping half-long balls, the arm plays the main role. Faster arm movement will increase brushing and control of the arc. Some players only use arm movement when doing this stroke to improve consistency, but the loop will be weaker. Amateur players should learn the feel with arm movement first, then they can add waist and wrist movement to increase the threat of the loop. Ma Long brushed sufficiently when looping, and he also focus on generating a forward force, so his loop was fast. In picture 6, Ma Long's arm was very low. In picture 7 we can see that he lifted the bat up vertically. In picture 8, his arm was moving horizontally. If we only brush vertically, the arc will be too high and too long; if we only hit horizontally, we may hit the edge of the table, and brushing may not be sufficient. In order to increase brushing, Ma Long added wrist movement which was shown in picture 5-9. We should look closely to those. |
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balldance
Super Member Joined: 01/28/2009 Status: Offline Points: 246 |
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Awesome!! Thanks so much. I found this article extremely useful as I have problem with these half-long balls. |
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dragon kid
Premier Member Joined: 07/28/2007 Status: Offline Points: 2947 |
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Great find..
After seeing those pictures, I don't think I can emulate Long's technique at all. It is too perfect, those strokes requires perfect execution, timing and lotssss of speed and power. I don't think I can achieve that without training it for at least a few hours every day, which is something that I am not in liberty to do.. These technique is more for the young aspiring TT athletes than me.. |
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blahness
Premier Member Joined: 10/18/2009 Location: Melbourne Status: Offline Points: 5443 |
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I don't think what you're said is constructive at all. From what you've said, we should not even bother about improving our stroke play? If you think the stroke play of Ma Long, Wang Hao, Zhang Jike, Timo Boll or Samsonov is the same as the stroke play of WR 50-100 players, you're just sadly mistaken. The power, control and stability of their "stroke play" is just on a completely different level. Besides, this article is not just stroke play, it involves delicate skills like the BH sidespin loop, BH flick, and FH loop off half long balls. These are definitely not just "stroke" play. Anyway, this article is definitely not for those who lack basic FH/BH fundamentals. |
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Viscaria FH: Hurricane 8-80 BH: D05 Back to normal shape bats :( |
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blahness
Premier Member Joined: 10/18/2009 Location: Melbourne Status: Offline Points: 5443 |
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Things I've learnt from this article:
FH loop-kill against underspin Even if it's a loop-kill, the follow-through has to be high. Just hit it like a slow loop, except harder. FH loop against half-long balls Contact the ball earlier and over the table! I've never thought of this before, going to try it! FH counterloop The basis of the FH counterloop is the active block against topspin(正手快带). Ma Long contacts the ball at about 45 degrees closed, not 90 degree as i once thought. The force should go mainly forward not upwards. And focus more on brushing not hitting! BH sidespin flick The secret to having power in the stroke: The straightening of the back! BH flick Aim for the lower part of the ball. By making the follow-through more compact(making a sudden stop to the movement after hitting the ball), you have more control and more power. |
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Viscaria FH: Hurricane 8-80 BH: D05 Back to normal shape bats :( |
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stiltt
Assistant Admin Joined: 07/15/2007 Location: Location Status: Offline Points: 1026 |
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I wonder who could be fast enough to dig that thread on its way to limbo? Let's see if I can beat everybody.
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ichini
Super Member Joined: 04/29/2010 Location: China Status: Offline Points: 128 |
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blahness,you got the BH sidespin flick and BH flick totally wrong,first,yr BH sidespin flick is not a flick,its actually a over the table loop,and yr BH flick,we don't hit or brush the underneath,just that Ma Long style is different,he does that to confuse his opponent,he is actually hitting/brushing the top of the ball,if you look carefully,you'll notice the difference,if we aim for the lower part of the ball,it'll be pushing.just my 2c
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Krantz
Super Member Joined: 05/14/2009 Location: Poland Status: Offline Points: 276 |
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blahness
Premier Member Joined: 10/18/2009 Location: Melbourne Status: Offline Points: 5443 |
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You're completely right... |
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Viscaria FH: Hurricane 8-80 BH: D05 Back to normal shape bats :( |
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ichini
Super Member Joined: 04/29/2010 Location: China Status: Offline Points: 128 |
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i'm sorry if i offended you blahness,but i'm just correcting you,not criticizing you
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blahness
Premier Member Joined: 10/18/2009 Location: Melbourne Status: Offline Points: 5443 |
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The reply above was honest, not sarcastic... :) Thanks for the correction |
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Viscaria FH: Hurricane 8-80 BH: D05 Back to normal shape bats :( |
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ejmaster
Platinum Member Joined: 08/09/2009 Location: madrid Status: Offline Points: 2609 |
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I think that from a certain point, the main issue to train is keeping the house together.
I mean moving legs with arms to get the position to develop the stroke. Thinking more about legs than strokes. About the bh, the main tip is to keep the elbow not far from the body moving the forearm and using the wrist. In some pictures it seems that the elbow is moving but that happens just in the approach part of the stroke.
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icontek
Premier Member This is FPS Doug Joined: 10/31/2006 Location: Maine, US Status: Offline Points: 5222 |
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Kenneyy88, I think you misread. APW is stating that FOR THE TOP 100, stroke technique is already so refined that it is not the differentiator in matches. Certainly at lower levels the quality and effectiveness of strokes may distinguish playing ability quite a bit. But the game is complex enough that it is still more about level and understanding of the game than what the mechanics look like. At one of my clubs the player with some of the best (and most textbook) technique (1 year of drilling FH and BH topspin, ready position) is only about US900. The US1500-1600 players can't say enough good things about how solid his strokes look. And he gives several US1100 players fits. But some of the US1200-1300 players frequently just serve him off the table and prevent him from using his strokes effectively. Level makes more difference than strokes. Similarly, I recently watched a US2300 player serve (and serve return) a US1900 player off the table. No rallies required. It was irrelevant that the US1900 player had better stroke mechanics; the US2300 player simply understood and executed the game at a different level and could execute.
That's not what he said at all. He said the Top 100 don't win by having better stroke play. |
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Thaidog
Gold Member Joined: 01/09/2006 Location: United States Status: Offline Points: 1661 |
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This is another great technique thread! Thanks for the pics blahness and the translation hclnnkhg!
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Timo ALC FL
Tibhar Grip S MAx Tenergy 64 FX National 2.1mm He never boosts... of course he never had to... |
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liXiao
Premier Member Joined: 11/27/2007 Location: United States Status: Offline Points: 6145 |
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Has anyone not noticed that World TT (both the chinese and japanese version) publish stories like these every month? I've seen them with Wang Liqin, Zhang Yining, Kan Yo, Yoshida Kaii, and im sure plenty that more I haven't seen.
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dragon kid
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I am pretty sure I have seen articles on Joo Se Hyuk and Wang Liqin..
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'Nobody is Perfect. I am Nobody' |
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APW46
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ZingyDNA
Platinum Member Joined: 09/19/2008 Status: Offline Points: 2373 |
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^ No no thing wrong, but TT fans like to learn from famous top players, as opposed to unknown junior players. I get your point is they have the same strokes as Ma long, which is probably true, but it doesn't have anything to do with this thread.
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APW46
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The Older I get, The better I was.
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TT_haru
Super Member Joined: 11/12/2010 Status: Offline Points: 142 |
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I think the thread is for those who struggles with some of the techniques shown, for example, don't know or couldn't execute a proper 'Backhand's flip". If one has believe he has mastered the techniques, then probably this has no value to that person ...
BTW, it was taken from 'Table Tennis World', a magazine read by millions of "crazy" table tennis loving people (just like us or at least for me ) who reckon we can never be like 'ma long' but at least "mature" our techniques ...
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ZingyDNA
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Because they are more of fans than players? If that magazine feature Gu Yuting to demonstrate the same techniques, I bet the sales are gonna drop... |
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APW46
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Try booking Ma long for an hours coaching.........get my drift?
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ZingyDNA
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No one here can afford Ma Long coaching. That's why they look at a magazine to try to learn his technique. It makes them feel like being coached by him. This is what this thread is all about... |
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hclnnkhg
Beginner Joined: 09/20/2010 Status: Offline Points: 67 |
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A bit late but I hope you enjoy it Forehand Counterlooping in mid-table
(Yellow box) Forehand counterlooping is an advanced technique which develops from forehand active blocking. Counterlooping is essential from professional players; It can greatly improves amateur player's game as well. It is an main weapon to turn defence to attack. Forehand Counterlooping has 7 main requirements: 1. Precise determination about spin and placement of the coming ball 2. body must be in position 3. Hit the ball in front of body 4. Control the swing, avoid a very big stroke 5. Hit the ball just after its peak 6. Focus on hitting the ball forward 7. increase brusing to produce arc.
Most amateur players hit the ball too long when counterlooping because they generate too much upward force without enough brusing, which cannot overcome topspin on the coming ball. Also the swing is too big, the contact point is rather behind the body, so an arc is difficult to produce.
Ma Long's forehand counterlooping is excellent because his determination is great, and his stroke has a lot of control. Counterlooping is his biggest advantage.
(Caption in picture 4): Start lower when counterlooping; Twist the waist for enough room
(Caption in picture 5): Close the bat and brush the mid-top of the ball
(Caption in picture 6): Contract forearm to shorten the arc; Use the power from waist
(Caption in picture 7): Body weight moves from right to left, use left foot to stablise the body
(White box)
(Red text) Higher body, smaller swing
(Black text) A topspin ball usually has a higher arc, so we need to lift our body as well. Ball with topspin will also 'kick' after hitting the table, therefore a smaller swing can ensure that we can hit the ball appropiately.
In picture 2 and 3, Ma Long's body weight was higher than attacking backspin, his right shoulder was higher as well. Arm will be relaxed if right shoulder is low. It is easier to adjust shoulder movement when attacking backspin, because backspin ball are uually low and spinny. When facing topspin, we would think the arc is high, then we will forget to 'sink' our shoulder, which is no good. In picture 3, we can see Ma Long's backswing was low, but it didn't mean the contact point was low. When opponent doesn't attack strongly, we can slightly increase the swing because we will have enough time to do so. Ma Long raised his bat in picture 4 to ensure enough forward force can be generated.
Starting height is critical when counterlooping. If we start too low, we will produce too much upward force which will make the ball go over the table; if we start too high, we will miss the ball.
(Red text) Close bat angle, generate more forward force, contract forearm
Ma Long's upper-body did not lean forward in picture 4, but he was twisting his waist. Because the coming ball was relatively fast, and Ma Long was at mid-table, he would not be able to do the full swing if he leaned forward. Furthermore, as the swing should be small when counterlooping, we need to use the power from the body, so twisting waist is important. In picture 5, Ma Long's bat was close, its purpose was overcoming topspin on the ball by increasing brushing. Amateur players would open the bat too much, which will makes the ball go too far if the coming ball has lots of topspin. In picture we can also see Ma Long was really hitting the ball forward. If we can use the power on the ball when we counterloop, it will make it more difficult for your opponent. That's why we need to hit the ball just after its peak. In picture 6-7, Ma Long did 2 important movement: 1. transfter of body weight 2. contracting forearm. 1 increased the speed, 2 increased the spin of the ball. Consistency is the first thing we need to consider when we counterloop.
We should develop counterlooping from active blocking. Active blocking involves only forearm and wrist movement, so it is easier. After we master active blocking we can try to add power from the body, and we can counterloop as long as we find the appropiate contact point. |
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ejmaster
Platinum Member Joined: 08/09/2009 Location: madrid Status: Offline Points: 2609 |
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It can happen a very good player would not be a very good coach. Edited by ejmaster - 01/11/2011 at 6:40pm |
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APW46
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Fruit loop
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By copying a style and technique often assists in making the substance and quality of shot improve as well. If this type of documentation was readily available in the rest of the world, i would bet the general standard of the game would improve also. |
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